Sullen faces, furrowed brows, cardboard dialogue, meandering storyline. Just another installment in the "Twilight" franchise.

- Who's going to like it: Twilight fans, of which there are many.
The sullen Cullen clan is
once again faced with insurmountable danger and destruction in the newest
installment of the “Twilight Saga.” “Twilight Eclipse,” opens on a flower
strewn field. Bella and Edward embrace each other. They’re so passionate about
wanting to be together. Bella loves Edward to no end, but she has trouble
believing in the institution of marriage. “It’s just a piece of paper,” she
says. With the fact that she would be marrying the undead, her last worry
should be whether or not the institution of marriage is fundamentally sound,
but that’s Bella for you. Always the worrier.
As a matter of fact,
everyone is worried in “Eclipse.” An army of “newborn” vampires is being
created by the bloodthirsty Victoria who would like nothing more than to drain
Bella of every ounce of her blood. The Cullen clan, through
Director David Slade (“30
Days of Night”) takes the extreme close-up to a whole new level. It’s possible
to count on two hands the number of times you actually see a wide shot of
scenery in this film. The majority of the screen is filled with close-ups on
the actors as they try their best to furrow their brows to make themselves look
intensely distressed. It’s like they have so many emotions bubbling up inside
of them they’re not really sure which one to actually emote, so blank
intenseness suffices.
The world of “Twilight” is
full of glum characters settled in gloomy surroundings. Bella wants to become a
vampire, and begs Edward to change her into one. Edward refuses, saying that
the life of a vampire isn’t something he’d wish on anyone. Other Cullen
children beg Bella not to become a vampire, it’s the worst thing that’s ever
happened to them. So, why do they make it seem like such a cool life? Let’s see,
no real weaknesses, live forever, have superpowers, why wouldn’t anyone not want to be a vampire?
“Eclipse” delves deeper into
the “Who is Bella going to choose: Jacob or Edward” dilemma. Edward wants to
get married, Bella loves Edward, but Jacob loves Bella, and Bella may also love
Jacob. Problem is Bella is quite possibly the most selfish character ever
written. She cares only for herself. She wants Edward to change her, but
doesn’t want to give in to the whole marriage thing because of silly
technicalities. She wants Jacob to stay around has her “friend,” but we all
know what being friends really means. Bella is tough to root for, when all
she’s doing is acting like a spoiled teenager that wants to have her cake and
eat it too. On top of that Bella keeps pushing Edward to get more intimate with
her. Which begs the question, how exactly does sex with a vampire work?
Apparently in this version vampires are akin to giant icicles being void of
blood. A substance that comes in handy during mating situations.
Perhaps the real problem
with the whole franchise is there’s never been a time where we really
understand that Bella and Edward actually really love each other. They lust
after each other, but love? Do they really? They throw that word around like
they really understand the meaning. She’s only a teenager anyway, and it’s
pretty common knowledge how teenagers view love during their high school years.
This brings up another fundamental question. What does Edward see in Bella?
While he looks her age, his intellect from years and years of life must be far
beyond that of a silly teenage girl.
In the end though, this is
what the hordes of “Twilight” fans want from this franchise, and that’s fine.
The movie will attract loads of movie-goers who will swoon when Jacob appears
on screen, shirtless, for the tenth time. It’s exactly what the fans want, and
you can’t really fault it for that.
(2 out of 5)
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