Aaron

Robin Hood

Movie Reviews  |  PG-13  |  View Trailer  |  May 14, 2010

A bland action movie that lacks the fun and wit of the original folktales.

Robin Hood
- Rated PG-13 For some graphic battle violence.
- Who's going to like it: Action movie fans. Robin Hood fans should steer clear of this bland attempt to revisit their legendary hero.

There was talk that Ridley Scott’s new “Robin Hood” tale was going to be a pale copy of “Gladiator” only this time taking place in England. Scott productions alum, Russell Crowe was set to play the legendary outlaw, and the trailers made it appear more battle-centric than a character study. So, how does it turn out? A bland film that has little to none of the charm and with that the original folklore has.

Scott’s watered down version of “Robin Hood” is neither a fantastic cinematic spectacle nor is it a complete mess. It’s somewhere in between, mediocre land. This is supposed to be the story of how Robin Longstride, became Robin Hood. What a perfect platform to showcase the character. Let us in on his inner workings, what makes him tick, and why deep down he’s such a great and moral guy. Too bad much of the opportunity for that is squandered for quickly cut, staccato action scenes that have become Scott’s M.O.

Robin Longstride is a lowly archer fighting in King Richard’s army. King Richard has been sacking castle after castle for riches and power. The people of England have been taxed to the hilt in order to pay for his war campaigns. When he is killed in battle, his sniveling weasel of a brother, John, takes over the throne. First order of business, destroy the kingdom as quickly as possible.

John sends out Godfrey (Mark Strong, “Sherlock Holmes”) to gather more taxes from an already destitute kingdom. They rebel.

Robin Longstride has found a home in Nottingham, with Marion Loxley (Cate Blanchett, “The Curious Case of Benjamin Button”), taking over for the deceased Robert Loxley.

Save one conversation between Longstride and King Richard, we are never let in on the character of the soon-to-be Robin Hood. Isn’t his character the most important thing? Scott’s Robin Hood is an action man, charging full steam ahead, hacking off limbs in battles, and looking very gruff while doing it.

The entire cast of beloved “Robin Hood” characters takes a back seat. It’s as if mentioning them by name is really enough to satisfy the audience. That’s Little John, that’s Friar Tuck, and that’s it. The characters, including Robin and Marion, all seem so flat and generic. Little substance resides here. Even the villain Godfrey, is little more than a man who looks sinister much of the time.

The character development is one problem, the gaping plot holes are another. At one point, Robin and his men surround Godfrey and his men. Robin rounds up Godfrey’s men, but magically Godfrey is nowhere in site. Where has he gone? Well, he’s traveled quite a distance to get ready for the requisite showdown he must have with Robin. How he got out, is anyone’s guess. The story must move along, Robin and Godfrey must meet on the battle field. You know, one of those battles where men are dying all around, but the two main characters can spot each other over the crowds, find their ways to each other, and start fighting.

The color palette is dingy and dark, much like “Gladiator” was, but this is beautifully green English countryside, and still it seems murky. Everyone, especially Crowe, talks in mumbles. You almost need subtitles to understand half of the lines of dialogue spoken from the Englishmen.

Perhaps the saddest thing about the movie is the Sheriff of Nottingham is a complete imbecile, and in no way resembles Robin Hood’s great foe that he is to face later on in his adventures of taking from the rich and giving to the poor. The Sheriff here is inserted for nothing more than comedic relief. This is a Sheriff that will not give any problems to Robin Hood in the future, which creates a bleak outlook on an already bleak movie experience.

 

 2 1/2 out of 5 (2 1/2 out of 5)


blog comments powered by Disqus