A bastardized American remake of a brilliant three-year-old British comedy.
- Rated R for language, drug content and some sexual humor.
- Who's going to like it: fans of a low-brow, over-the-top, “dumbed-down” version of British comedy.
- Who's going to like it: fans of a low-brow, over-the-top, “dumbed-down” version of British comedy.
Award winning playwright Neil LaBute has given us another example of
why he has no business working in Hollywood (the other reasons being
his movies The Wicker Man and Lakeview Terrace). It’s understandable
why an American director would want to remake a contemporary foreign
language film, but one that was in English to begin with? And even
then, what kind of director would have the audacity to film it
picture-for-picture? The entire movie could have been shot in front of
a green screen and later filled in with shots from the original – it’s
that generic!
LaBute’s version of Death At A Funeral is much like a photocopied paper – it is never going to look as good as the original. Because Frank Oz’s (What About Bob?) 2007 version of Death At A Funeral is far superior to LaBute’s photocopy, I am going to take advantage of this opportunity to tell you why you should rent or buy the original version rather than pay to see the new hack one. The following is taken from my 2007 Death At A Funeral review:
Take away the heart and the majority of the laughs, and that’s what you get from LaBute’s version. It feels like most of the cast hadn’t a clue as to what the film was trying to say, which blame can be placed entirely on an unfocused director without a big picture in sight.
Few things in Death At A Funeral actually work. Chris Rock (SNL) and Martin Lawrence (Bad Boys) can’t act, Luke Wilson (Old School) is dry and boring and Tracy Morgan (30 Rock) continually rambles on and isn’t funny.
The reason LaBute’s Death At A Funeral earns one star (instead of zero) is because of Zoe Saldana (Star Trek) and James Marsden (X-Men). Playing a couple in the movie, Saldana brings in some honest emotion and heart and Marsden brings in a whole lot of laughs. As you would expect after seeing him in Sex Drive, Marsden’s comedic performance steals the show.
Do not for any reason give-in to any inkling you may have to see this movie. The 2007 version deserves to be seen first. Then, if you are a glutton for punishment, see LaBute’s – but only at a dollar theater. Marsden’s performance is the only thing that will make it worth it.
Hopefully, Hollywood will learn two things from this movie: James Marsden deserves to be in comedic roles and Neil LaBute shouldn’t be making movies.
Photo credit: Screen Gems
LaBute’s version of Death At A Funeral is much like a photocopied paper – it is never going to look as good as the original. Because Frank Oz’s (What About Bob?) 2007 version of Death At A Funeral is far superior to LaBute’s photocopy, I am going to take advantage of this opportunity to tell you why you should rent or buy the original version rather than pay to see the new hack one. The following is taken from my 2007 Death At A Funeral review:
"For
the past few years, British comedies such as LOVE ACTUALLY, THE OFFICE,
SHAUN OF THE DEAD, EXTRAS, HOT FUZZ, and now, DEATH AT A FUNERAL have
been invading U.S. theaters and finding success with their new audience
(probably because we Americans only mass-produce sequels nowadays).
"DEATH AT A FUNERAL follows Daniel (Matthew Macfadyen, Mr. Darcy in 2005's PRIDE AND PREJUDICE) on the day of his father's funeral. Instead of being a day of mourning and remembrance, it turns into a sidesplitting disaster of wit and slapstick when the dysfunctional family and friends arrive.
"Brace yourself for unintentional intoxication, a lot of man-butt and even a gay midget.
"As proven by last year's Academy Award-winning comedy, LITTLE MISS SUNSHINE, not all independent movies are pretentious, artsy and lame. DEATH AT A FUNERAL is this year's LITTLE MISS, where all family skeletons literally come out of the closet.
"Though filled with crowd-rising comedic elements, there are several natural, touching moments.
"DEATH AT A FUNERAL takes away the black-veiled, sad edge of one's passing to show how funerals don't really have to be depressing and bitter."
"DEATH AT A FUNERAL follows Daniel (Matthew Macfadyen, Mr. Darcy in 2005's PRIDE AND PREJUDICE) on the day of his father's funeral. Instead of being a day of mourning and remembrance, it turns into a sidesplitting disaster of wit and slapstick when the dysfunctional family and friends arrive.
"Brace yourself for unintentional intoxication, a lot of man-butt and even a gay midget.
"As proven by last year's Academy Award-winning comedy, LITTLE MISS SUNSHINE, not all independent movies are pretentious, artsy and lame. DEATH AT A FUNERAL is this year's LITTLE MISS, where all family skeletons literally come out of the closet.
"Though filled with crowd-rising comedic elements, there are several natural, touching moments.
"DEATH AT A FUNERAL takes away the black-veiled, sad edge of one's passing to show how funerals don't really have to be depressing and bitter."
Take away the heart and the majority of the laughs, and that’s what you get from LaBute’s version. It feels like most of the cast hadn’t a clue as to what the film was trying to say, which blame can be placed entirely on an unfocused director without a big picture in sight.
Few things in Death At A Funeral actually work. Chris Rock (SNL) and Martin Lawrence (Bad Boys) can’t act, Luke Wilson (Old School) is dry and boring and Tracy Morgan (30 Rock) continually rambles on and isn’t funny.
The reason LaBute’s Death At A Funeral earns one star (instead of zero) is because of Zoe Saldana (Star Trek) and James Marsden (X-Men). Playing a couple in the movie, Saldana brings in some honest emotion and heart and Marsden brings in a whole lot of laughs. As you would expect after seeing him in Sex Drive, Marsden’s comedic performance steals the show.
Do not for any reason give-in to any inkling you may have to see this movie. The 2007 version deserves to be seen first. Then, if you are a glutton for punishment, see LaBute’s – but only at a dollar theater. Marsden’s performance is the only thing that will make it worth it.
Hopefully, Hollywood will learn two things from this movie: James Marsden deserves to be in comedic roles and Neil LaBute shouldn’t be making movies.
Photo credit: Screen Gems
(1 out of 5)
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